ramsay de give

portfolio
the weight of objects

email


by R. de Give

East Village Flea Market, NYC

Filed in: easy village village nyc reflection bronica film 120

17 notes

by R. de Give
East Village Flea Market, NYC

by R. de Give

Williamsburg, Brooklyn.

Filed in: rims brooklyn bk car bronica film 120 film

3 notes

by R. de Give
Williamsburg, Brooklyn.

Filed in: 120 film Bronica SQ-A bronica dylan isbell film portrait

6 notes

by R. de Give

Dylan Isbell. Jan 2011.


Filed in: santa fe Bronica SQ-A film

6 notes

Santa Fe, NM. December 2011.


“This crucifix found its place around my neck when I was a teenager on a trip to Cancun. It is a totem of my Catholic faith and as such it is a reminder, a symbol and a comfort. The name of my city - Santa Fe - means “holy faith” and that is also what this weighted object signifies.”

Enrique Montoya was photographed in Santa Fe on September 29th.

Filed in: Bronica SQ-A weightofobjects film portrait santa fe cross of the martyrs

2 notes

“This crucifix found its place around my neck when I was a teenager on a trip to Cancun. It is a totem of my Catholic faith and as such it is a reminder, a symbol and a comfort. The name of my city - Santa Fe - means “holy faith” and that is also what this weighted object signifies.”
Enrique Montoya was photographed in Santa Fe on September 29th.

“‘DV’ is the hilarious and wonderfully direct autobiography by the famed fashion editor and supreme original Diana Vreeland. For the past 12 years, it has served as a road map, helping me to understand and appreciate the way in which fashion reflects the greater world. Beyond superficiality, it is a political thermometer, a cultural piñata and daily influencer.”

Erin Dixon is the style editor at Dossier Journal. She was photographed in New York City on October 15th.

Filed in: Bronica SQ-A film portrait twoo weightofobjects Diana Vreeland Dossier Journal New York City

1 note

“‘DV’ is the hilarious and wonderfully direct autobiography by the famed fashion editor and supreme original Diana Vreeland. For the past 12 years, it has served as a road map, helping me to understand and appreciate the way in which fashion reflects the greater world. Beyond superficiality, it is a political thermometer, a cultural piñata and daily influencer.”
Erin Dixon is the style editor at Dossier Journal. She was photographed in New York City on October 15th.

“I’ve been collecting Lincolns for a few years now, and I’m not sure yet when I’ll feel like I’ve had enough of him. I acquired these vintage silhouettes a couple years ago, and absolutely adore them. They reside in my front entryway, so I can admire them when I come and go.”

Megan Penmann was photographed in San Francisco on August 23rd. View AwesomeAbe.Tumblr.com, her collection of Lincoln art.

Filed in: twoo weightofobjects portrait Bronica SQ-A film

“I’ve been collecting Lincolns for a few years now, and I’m not sure yet when I’ll feel like I’ve had enough of him. I acquired these vintage silhouettes a couple years ago, and absolutely adore them. They reside in my front entryway, so I can admire them when I come and go.”

Megan Penmann was photographed in San Francisco on August 23rd. View AwesomeAbe.Tumblr.com, her collection of Lincoln art.

Filed in: CityIsland bronx Bronica SQ-A film

4 notes

City Island - Bronx, NY

by Ramsay de Give

ongoing ~>


Admiral’s Row by Ramsay de Give - Brooklyn, 2010.

“…And we will probably be judged not by the monuments we build but by those we have destroyed.” - Ada Louise Huxtable

http://nyp.st/uHE4Nk

Filed in: brooklyn navy yard brooklyn admiral's row building architecture Bronica SQ-A film

14 notes

Admiral’s Row by Ramsay de Give - Brooklyn, 2010.
“…And we will probably be judged not by the monuments we build but by those we have destroyed.” - Ada Louise Huxtable
http://nyp.st/uHE4Nk

Keepaway - Brooklyn, 2009.

Filed in: bands brooklyn Bronica SQ-A film double exposure

2 notes

Keepaway - Brooklyn, 2009.

“This small Lewis chess piece is my adventure totem– a knight errant frozen in the pursuit of his quest. Since he’s small enough to fit anywhere, he follows me everywhere: college, research in Ireland, graduate work in England, and now life in New York. When he takes a place on a table or desk, that place becomes home.”

Zachary McCune was photographed in New York City on November 6th. Follow him on Twitter.

Filed in: Bronica SQ-A Jachary McCune film portrait twoo weightofobjects

3 notes

“This small Lewis chess piece is my adventure totem– a knight errant frozen in the pursuit of his quest. Since he’s small enough to fit anywhere, he follows me everywhere: college, research in Ireland, graduate work in England, and now life in New York. When he takes a place on a table or desk, that place becomes home.”
Zachary McCune was photographed in New York City on November 6th. Follow him on Twitter.

© Ramsay de Give 2011

Outtakes from Julia Belozersky’s TWOO shoot in Brooklyn

Filed in: twoo weightofobjects brooklyn portrait outtakes Bronica SQ-A film

4 notes

© Ramsay de Give 2011
Outtakes from Julia Belozersky’s TWOO shoot in Brooklyn

Filed in: lah Yashica film

3 notes

© Ramsay de Give 2011

Dillon de Give from the LAH Coyote Walk in April 2011.

read more about LAH here


Emily Stoddart @ The Weight of Objects

“I tore this book review of a biography of James Agee, the Pulitzer Prize-winning author of ”Let Us Now Praise Famous Men,” out of an old issue of Maclean’s. The spatial tension of the photo that accompanies it seemingly reiterates the “the prodigal tragedy” of Agee’s life. Both image and text reflect the many ways we try to consciously manipulate forms of representation and I continuously refer to them as source material.”

Emily Stoddart was photographed in New York City on November 20th. View her work.

Filed in: Bronica SQ-A film nyc portrait weightofobjects twoo

Emily Stoddart @ The Weight of Objects
“I tore this book review of a biography of James Agee, the Pulitzer Prize-winning author of ”Let Us Now Praise Famous Men,” out of an old issue of Maclean’s. The spatial tension of the photo that accompanies it seemingly reiterates the “the prodigal tragedy” of Agee’s life. Both image and text reflect the many ways we try to consciously manipulate forms of representation and I continuously refer to them as source material.”
Emily Stoddart was photographed in New York City on November 20th. View her work.